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Irish theater luminary Sara Allgood began her acting
career in 1904 as a member of the renowned Abbey Theatre Company of
Dublin when she appeared in the companys production of Lady Augusta
Gregorys Spreading the News. Her triumph in this performance
led to other major roles and to work with the Liverpool Repertory Theatre,
including appearances in W.B. Yeatss Cathleen ni Houlihan
and J.M. Synges Riders to the Sea. Because of the European
success of many of these productions, Allgood had the opportunity to
perform in a number of well-received tours of the United States, England,
Australia, and New Zealand.
While touring Australia with a production of J. Hartly Manners
Peg o My Heart, Allgood married actor Gerald Henson in
1916. Shortly afterward, Allgood suffered two major tragedies: in November
1917 her husband died, a victim of the influenza epidemic, and then,
in January of 1918, Allgood gave birth to a daughter who survived for
only an hour.
Allgood performed in London for several seasons before returning to
Dublin and the Abbey Theatre Company. It was during this time that she
delivered some of her most successful performances. The role of Juno
in Sean OCaseys Juno and the Paycock in 1924, for
instance, was so influential it has become a legendary part of Irish
theater history. When Allgood performed in a revival of the play in
New York City in 1940, Brooks Atkinson wrote, Some day, somewhere,
some young people will be thinking enviously of the time when Sean OCasey
was writing mighty plays and Barry Fitzgerald and Sara Allgood were
around to act them . . . . [This] will seem like a golden age.
In 1940, Allgood gave up theatrical work to pursue a film career in
Hollywood. She moved to California and, in 1945, became a United States
citizen. Unfortunately, Allgood never achieved the success she hoped
for in the film industry. In spite of her reputation and talent, she
was offered only minor parts in movies, playing stereotypical Irish
characters. Allgood died in Hollywood, alone and penniless, in 1950.
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