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New Finding Aids

Finding aids are documents that describe and enable access to archival and manuscript collections. The Yale Finding Aid Database provides access to all finding aids across the Yale University Library. Below is a list of recently published and significantly revised Beinecke Library finding aids.   

January 16, 2013

Hartley (Marsden) Collection

The collection consists of writings, correspondence, photographs, and other materials documenting the personal and professional affairs of Modernist-era painter Marsden Hartley. Writings contain notes and drafts, autograph and typescript, for numerous writings, chiefly essays. Correspondence is spread out over the many groupings in the collection and features large files of outgoing letters to Norma Berger, Hartley's niece, Carl Sprinchorn, and Adelaide S. Kuntz, as well as incoming letters from artists, writers, cultural figures, and institutions.

January 16, 2013

January 16, 2013

January 16, 2013

Ronnebeck (Arnold) Papers

The Arnold Ronnebeck papers contain correspondence, manuscripts, artwork, photographs, and printed and other materials documenting the life and career of the Prussian-born artist. Correspondence in the collection includes letters from other artists, family, and organizations, and includes letters from well-known modernist-era artists, such as George Grosz, Marsden Hartley, Wassily Kandinsky, Georgia O'Keeffe, and Alfred Stieglitz. Manuscripts include notebooks, journals Ronnebeck kept while in Paris from 1910 to 1912, and loose notes.

January 16, 2013

January 16, 2013

January 16, 2013

January 16, 2013

January 16, 2013

January 16, 2013

Simpson (Randolph Linsly) African-American Collection

The Randolph Linsly Simpson African-American Collection consists chiefly of photographs dating from circa 1850 to 1970, but also includes printed illustrations, original artwork, documents and printed ephemera that provide a record of black history in the United States for the period circa 1770 to 1970. The focus is on African-American subjects, but the collection also includes the work of black photographers, as well as images of white men and women, many of whom were associated with the abolitionist movement.

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