Photographic Memory Workshop – Graduate Student Working Group 2011-2012
The Photographic Memory Workshop is pleased to invite graduate students, post-doctoral students and academic fellows of the Yale community to submit presentation proposals to its 2011-2012 Graduate Student Working Group. In addition to our usual calendar of visiting scholar lectures, our workshop series offers members of the Yale community working on photography an opportunity to present and discuss works in progress.
Our aim is to bring together people from a variety of disciplines to give feedback and to inspire productive critical conversation about the visual material.
At each meeting, the speaker will give a 20-30 minute informal presentation centered on a set of photographs, instruments, or materials. These presentations can be formal papers, works in progress, or curatorial projects. Electronic images of the subject being presented (but not the text of the presentation itself) will be pre-circulated to the group by email prior to each meeting. The presentation will be followed by critical conversation and feedback about the speaker’s research project/paper/exhibition.
We are open to any submission related to photography. This includes, but is not limited to, photography’s material processes and cultural history, scientific and applied photography, photographs in books, as well as conceptual, fine-art, and commercial photography. We especially welcome proposals relating to objects in any of the Yale University collections.
Photographic Memory Workshop Meetings:
The Workshop meets several times throughout the semester, generally at 6pm on Wednesdays. Specific dates and time TBA–contact the organizers for details or to receive announcements about meetings and related events.
Please send a 250-500 word proposal along with a selection of images relating to your research topic by October 1st, 2011 to firstname.lastname@example.org.
About the Photographic Memory Workshop:
This is the thirteenth year of the Photographic Memory Workshop under the mentorship of Professor Laura Wexler. The workshop, which brings together graduate students, faculty, and staff from a wide variety of disciplines, explores the myriad of possibilities inherent in the study of photographs and/or memory. Should you have any questions about the workshop or our activities, please email email@example.com or contact the graduate student fellows at firstname.lastname@example.org and email@example.com.
About Photography in the James Weldon Johnson Memorial Collection:
Photographic materials in the Collection compliment the book and manuscript collections, with a close relationship to archival materials and other primary documentation. Holdings document the lives of writers and literary communities, cultural spaces, and significant events of various kinds and include everything from snapshots and passport photographs to fine art and portrait photography by some of the most important photographers of the 20th century.
About Photography in Yale Collections:
A Directory of Yale Photographic Collections provides a portal through which to mine the breadth of the University’s images across repositories and disciplines. The interdisciplinary nature of these resources opens the possibility for endless discoveries of images illustrating sweeping applications of the medium and at the same time presents exciting avenues for the creative use of photographs in object-based learning. http://photostest.odai.yale.edu/directory/index.php
Half length portrait of Matilda Sissieretta Jones, known as “the Black Patti;” from the Randolph Linsley Simpson Collection of Photographs of African Americans (JWJ MSS 54).