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Morna O'Neill
Wake Forest University
Decoration and Display
2018-2019
Decoration and Display: British Art and International Exhibitions, 1888-1910
2012-2013
Rachel Sarah O'Toole
Villanova University
Africans, Indians, and the Creation of 'Casta' in Peru
2004-2005
Andrew Offenburger
Yale University (History)
Boers without Borders: The Transformation of Statelss Farmers into Afrikan-Americans
2010-2011
When the American West Turned South: Development and Dispossession in the U.S.-Mexican Borderlands, 1853-1929
2011-2012
Philip Oldfield
University of Toronto
Armorial bindings
2007-2008
Liesl Olson
Newberry Library
Eye to Eye: Friendship, Art, and Collaboration in Mid-century America
2019-2020
Jonathan Olson
University of Liverpool
Humphrey Moseley, Literary Editor
2013-2014
Dara Orenstein
Yale University (American Studies)
The Cultural Logic of Capital Flight in Modern U.S. History
2006-2007
Bilal Orfali
Yale University (Near Eastern Languages & Civilizations)
Abu Mansur al-Thaalibi: The Anthologist and Critic
Jean Otsuki
Yale University (English)
Late 19th and Early 20th-century Representation of Rural England in Literature and the Visual Arts
2005-2006
Brais Outes-Leon
Yale University (Spanish & Portuguese)
Peotics of Creation: Imaignation and Modernity in Latin America (1920-1940)
Barbara Ozieblo
University of Málaga
A critical biography of Alyse Gregory and Gamel Woolsey
1999-2000
Hilmar M. Pabel
Simon Fraser University
Editing Jerome in the Renaissance: Erasmus of Rotterdam in context
2000-2001
Adrianna Paliyenko
Colby College
Rethinking Louisa Siefert's Body of Work
2017-2018
Emily Palombella
Boston University
Precious Speculation: Expansionist Science and the Development of American Gem Extraction, 1820-1920
2023-2024
Victoria Papa
Aesthetics of Survival: Modernist Literature and Minoritarian Wordmaking
2022-2023
Aleksandr Parnis
The Institute of World Literature, Russia
On the Relationship of Russian and Italian Futurism (Marinetti collection)
Federica Parodi
Yale University
A space within. 1968, selfhood and the politics of performance
Gillian Partington
Warwick University
Turning Pages