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Carla Manfredi
Hawaii University
Photography and Colonialism in Robert Louis Stevenson's Pacific
2016-2017
Katherine Mannheimer
Yale University (Comparative Literature)
Use of Typography and Print Culture in 18th-Century Satire
2005-2006
Roxanne Marcotte
University of Queensland
Athir al-Din Abhari (d. 1265), Philosopher, Logician, and Translator: Life and Work
2004-2005
Irene Mariani
The University of Edinburgh
The Vespucci family in context: Art patrons in late fifteenth-century Florence
Karen Marrero
Yale University (History)
Founding Families: Power and Authority of Mixed Lineages in 18th-Century Detroit
Michelle Martin
Clemson University
Children's Literature of Langston Hughes and Arna Bontemps
2006-2007
Regina Mason
Making A Case for William Grimes, the Runaway Slave
2023-2024
Danijela Matkovic True
Yale University (Slavic Languages and Literatures)
The Dynamics of Literary Groups in the Late Soviet Avant-Garde Period
Susan Matt
Weber State University
Homesickness in the American West
2007-2008
Marc Matter
Institute for Music and Media, Dusseldorf
Henri Chopin and the Revue OU
2013-2014
Nancy Mattina
The Individualist: Adee Dodge, Diné Artist and Intellectual.
2022-2023
Aaron Matz
Yale University (English)
Satire and the Limits of Realism in Late Victorian England
2003-2004
Caroline Maun
Wayne State University
The Complete Poems of Charlotte Wilder
2012-2013
William Maxwell
University of Illinois at Urbana-Champaign
The Collected Poems of Claude McKay
2000-2001
Steven May
Georgetown College
The Bibliography and First-Line Index of English Verse, 1559-1603
Vladimir I. Mazhuga
Saint-Petersburg Institute for History, Russian Academy of Sciences
Documentary Script and Book Script in the Early Middle Ages (7th-9th centuries): A Regional Study of Their Relationship
Susan McCabe
University of Southern California
Bryher: Female Husband of Modernism
H.D. & Bryher: A Modernist Love Story
Erin McCarthy
Yale University (Italian)
The Fate of Classicism: A Study of Linguistic Conservatism from Bembo to Gravina
Kelly McCay
Harvard University
‘New,’ ‘True,’ and ‘Secrete’: The Re-Invention of Writing in Early Modern England