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Robert Naeher
Emma Willard School
Puritan Prayer, Expressive Voice, and the Shaping of the Self
2006-2007
Isabelle Napier
University of Oxford
White allyship in world politics
2023-2024
Kathleen Naughton
SUNY, University at Buffalo
Transparency and Opacity in Mei-mei Berssenbrugge's Collage Research Poetics
2022-2023
Samuel Nelson
Yale University (Sociology)
Towards a Cultural Sociology of Early Evangelicalism
2005-2006
Martin Nesvig
Yale University (History)
"Pearls before Swine"?: Theory and Practice of Censorship in New Spain, 1527-1640
2002-2003
Nuno Neves
The Letters of Sound Poetry: Production, Circulation and Reception Networks
Samuel Newlands
Yale University (Philosophy)
Power and Perfection in Spinoza
Karyl Newman
Independent Scholar
A New View of Llano - Resurrecting California's Communitarian Spirit
2016-2017
Steve L. Newman
Temple University
Themes of Simple Sure Effect: The Ballad and the English Canon in the Works of W. Collins, J. Home, and T. Percey
2003-2004
Méabh Ní Choileáin
Trinity College Dublin
Jockey Hollow Fellow in partnership with Trinity College Dublin
Clara Nizard
Yale University
Epistemologies and Aesthetics of Motion around 1900
Brian Noell
Yale University (Medieval Studies)
The Scholastic Method and Monastic Transformation at Citeaux, 1153-1265
Sarah Noonan
Lindenwood University
The Book in Parts: Selective Reading Pracitces in Late Medieval England
2012-2013
Michael Nowlin
University of Victoria
James Weldon Johnson: A Portrait of the Artist as a Race Man
2019-2020
Literary Ambition and the African-American Novel from Chesnutt to Ellison
2008-2009
David Nugent
Yale University (Playwriting)
The Boy Who Jumped Into the Sea
2004-2005
Ahmed Nur
Parallel Investigations: Pursuit of True Knowledge in Post-Classical Islam
Nadia Nurhussein
University of Massachussetts, Boston
Documenting Abyssinia: Imperial Ethiopia and African-American Literature
Andrew Nurkin
Yale University (Divinity)
T.S. Eliot
Ciara O'Dowd
National University of Ireland, Galway
The On and Off Stage Roles of Actresses in the Irish National Theatre in the 1930s