September 20, 2021
rodey conceived of this idea in a seminar she took during her sophomore year, “Art of the Printed Word,” taught by Richard Rose, a printer at the Yale School of Art. In an essay assignment, she compared the 1832 Philadelphia publication of “Pride and Prejudice” with the 2010 Belknap-Harvard annotated edition. Over the next year and a half, Brodey continued to reflect on how publishers treat and present the same text in different ways. Eventually, it became the leading theme of her exhibit.
Nancy Kuhl, curator of poetry in the Yale Collection of American Literature at the Beinecke Rare Book & Manuscript Library, advised the project. Kuhl brainstormed with Brodey about how she could use the collection’s objects to illustrate her ideas and arguments in a compelling way.
“Working online required changing some of our work processes but the payoff is the opportunity to share [Brodey’s] excellent exhibition with a large online audience that might never visit New Haven to see it in person,” Kuhl said. “Besides, her detailed research and thorough knowledge made our work easy.”
