Archives Out Loud
2:00–3:00 P.M., HQ 134
God and William F. Buckley at Yale
Journalist and former New York Times Book Review editor Sam Tanenhaus, author of the biography Buckley, talks with Pulitzer-prize winning Yale historian Beverly Gage about how Buckley remade American conservatism.
Artists at Work
12:00–1:00 P.M., HQ 134
How do artists collaborate?
Husband-and-wife duo Matt Berninger, lead singer of The National, and poet and editor Carin Besser, formerly of The New Yorker, discuss their long-standing musical collaboration, and the challenges and delights of co-creation. Introduced by Meghan O’Rourke and moderated by award-winning playwright and Yale professor Branden Jacobs-Jenkins.
Keynote Panel
5:00-6:30 P.M., HQ L02
What is a magazine editor for?
A roundtable discussion on the art of editing with Emily Greenhouse (The New York Review of Books), Radhika Jones (Vanity Fair), Deborah Treisman (The New Yorker), and Meghan O’Rourke (The Yale Review, formerly The New Yorker, Slate, and The Paris Review). Introduced by TYR senior editor Sam Huber. Conversation moderated by TYR senior editor James Surowiecki.
Co-sponsored by the Whitney Humanities Center.
A Closer Look
3:30-4:30 P.M., HQ 276
Diving into The Situationist International papers at Yale
Lucy Sante speaks about the papers of the avant-garde collective, which are held at the Beinecke Rare Book and Manuscript Library. Introduced by TYR senior editor Dan Fox.
Please join us to celebrate the opening of “Street Talk”: Pamphlet Literature of the Nigerian Marketplace on view in the Hanke Gallery of Sterling Memorial Library.
Onitsha Market Literature—named after a city east of the Niger River—emerged in the early 1950s. The popular pamphlet style soon spread to other centers throughout the then British colony of Nigeria. These ephemeral publications circulated widely throughout the busy marketplace, and writers intended them to be both educating and entertaining for the common people.
Samuel Johnson defined “spectacle” in 1755 as “a show; a gazing stock; anything exhibited to the view as eminently remarkable.” This exhibition will explore the range of spectacular shows that were offered to the fee-paying public in Georgian London, from exhibitions of paintings, to scientific demonstrations, to the display of wondrous animals.
Onitsha Market Literature—named after a city east of the Niger River—emerged in the early 1950s. The popular pamphlet style soon spread to other centers throughout the then British colony of Nigeria. These ephemeral publications circulated widely throughout the busy marketplace, and writers intended them to be both educating and entertaining for the common people.
The Yale Center for British Art (YCBA) was Louis Kahn’s last project and a landmark building for Yale. The exhibition “People Look Up at Good Architecture” examines Kahn’s innovative use of natural light and complex skylight system.
The Yale Review presents The Yale Review Festival 2025, featuring four days of readings, conversations, craft talks, and workshops with novelists, poets, critics, and editors. Detailed schedule forthcoming.
Join us at Haas Arts Library for a peek at a selection of photobooks from the library’s special collections!
The term “artist book” can be hard to define. Simply put, an artist book is an art object inspired by the form and/or function of a conventional book. Haas Arts Library has thousands of artist books in its special collections. During this session, library staff will showcase a few recent acquisitions. Feel free to drop in anytime during the hour.
