Join trailblazing architect Seun Oduwole, Co-founder/ Director of Living Object and Principal Architect at SI.SA, for a discussion on the curatorial and architectural vision behind the John Randle Centre for Yoruba Culture and History. This landmark institution reclaims and reimagines Yoruba history and culture. Learn about the significance of this site in preserving cultural heritage in Nigeria.
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Book Bunk in Nairobi, Kenya is reimagining and renovating public libraries into sites of heritage, public art, and learning. Join Book Bunk’s Co-founder Wanjiru Koinange for an inspiring discussion on how Kenya’s colonial-era libraries are being transformed into vibrant, inclusive spaces for creativity, knowledge, and community.
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Keeley Brooks, graduating senior, will present her senior thesis which consists of approximately 30 oral history interviews with students of the great violin pedagogue, Dorothy DeLay
The Gilmore Music Library is excited to present the second annual Miles Hoffman Concert, honoring the memory of noted violist and public radio commentator, Miles Hoffman ’73. The concert series is possible thanks to the generosity of Dr. Jeffrey Ravetch, ’73, classmate and friend of Hoffman. This year’s concert will feature a variety of selections exploring early examples of chamber music and looking at how the idea of some kinds of “chamber music” grew in other directions. The concert takes place in the Beinecke Library on April 10, 2025 at 4:00. A reception will follow.
Samuel Johnson defined “spectacle” in 1755 as “a show; a gazing stock; anything exhibited to the view as eminently remarkable.” This exhibition will explore the range of spectacular shows that were offered to the fee-paying public in Georgian London, from exhibitions of paintings, to scientific demonstrations, to the display of wondrous animals.
Archives Out Loud
2:00–3:00 P.M., HQ 134
God and William F. Buckley at Yale
Journalist and former New York Times Book Review editor Sam Tanenhaus, author of the biography Buckley, talks with Pulitzer-prize winning Yale historian Beverly Gage about how Buckley remade American conservatism.
Artists at Work
12:00–1:00 P.M., HQ 134
How do artists collaborate?
Husband-and-wife duo Matt Berninger, lead singer of The National, and poet and editor Carin Besser, formerly of The New Yorker, discuss their long-standing musical collaboration, and the challenges and delights of co-creation. Introduced by Meghan O’Rourke and moderated by award-winning playwright and Yale professor Branden Jacobs-Jenkins.
Keynote Panel
5:00-6:30 P.M., HQ L02
What is a magazine editor for?
A roundtable discussion on the art of editing with Emily Greenhouse (The New York Review of Books), Radhika Jones (Vanity Fair), Deborah Treisman (The New Yorker), and Meghan O’Rourke (The Yale Review, formerly The New Yorker, Slate, and The Paris Review). Introduced by TYR senior editor Sam Huber. Conversation moderated by TYR senior editor James Surowiecki.
Co-sponsored by the Whitney Humanities Center.
A Closer Look
3:30-4:30 P.M., HQ 276
Diving into The Situationist International papers at Yale
Lucy Sante speaks about the papers of the avant-garde collective, which are held at the Beinecke Rare Book and Manuscript Library. Introduced by TYR senior editor Dan Fox.
Please join us to celebrate the opening of “Street Talk”: Pamphlet Literature of the Nigerian Marketplace on view in the Hanke Gallery of Sterling Memorial Library.
Onitsha Market Literature—named after a city east of the Niger River—emerged in the early 1950s. The popular pamphlet style soon spread to other centers throughout the then British colony of Nigeria. These ephemeral publications circulated widely throughout the busy marketplace, and writers intended them to be both educating and entertaining for the common people.
