Was Horace Walpole really a “miser,” as William Hazlitt claimed?

Collected over the course of more than 125 years, the materials in Subjects and Objects pose questions and highlight contradictions: How did the term Slavic collection come to encompass materials from so many lands, cultures, and languages that lie beyond that linguistical designation? How did Russia come to symbolize this region for Western observers—and why does that impression persist?

Winsome Pinnock’s most recent play, Rockets and Blue Lights, takes the audience on a deep dive into J. M. W. Turner’s painting “The Slave Ship,” asking questions about received and shared history. She is joined by past prize recipient Branden-Jacobs Jenkins in a discussion about how theater can help us look more fully into history.
A complementary display of works by J. M. W. Turner, including sketchbook drawings and color studies, finished watercolors, and prints, will be on view in the Yale Center for British Study Room that day.

“Skokiaan” is a popular tune originally written by Zimbabwean musician August Musarurwa that has been covered by many musician, including Louis Armstrong. Siphiwe Gloria Ndlovu chats with Regina Bain, Executive Director of the Louis Armstrong House Museum, about the song and about Armstrong’s tours through the African Continent in the 50s and 60s.

In addition to her novels, Tsitsi Dangarembga has also written, directed, and produced a number of films. In My Father’s Village is a powerful short film about the inheritance of trauma that she produced in 2017. Tsitsi will introduce the film, discuss its creation with Professor of History and African Studies Dan Magaziner, and answer questions from the audience.