Selected 2014 Scholarship, Artworks, News, and Notices from the Yale Collection of American Literature (** indicates Yale student author or artist).
H.D., Within the Walls and What Do I Love?, edited by Annette Debo, University Press of Florida, 2014
**Evelyn Davis, Y’17, “Untitled,” artwork created for Professor Jessica Helfand’s spring 2014 freshman seminar on the color Blue
Carolyn Dekker, “Jean Toomer, Sojourner: Striking Experience in the South and Southwest,” in Multi-Ethnic Literature of the United States, November 2014
**Katherine Fein Y’14, “The Boundaries of Her World: Mary Welsh Hemingway at the Finca Vigía,” Senior Essay in History
Ben Glaser, “Folk Iambics: Prosody, Vestiges, and Sterling Brown’s Outline for the Study of the Poetry of American Negroes,” in PMLA 129 no. 3 (May 2014).
Kimberly Lamm, Edith and Richard French Fellow, “A Sense of Arrangement: Feminist Aesthetics in Contemporary Poetry”
Linda Leavell, Ruth Stephan Fellow, “‘At last! A woman on paper’: The Reception of Marianne Moore and Georgia O’Keeffe in Modernist New York”
Wesley Mann, “Punk in Pictures: Rock Figure Danny Fields Shares His Photo Archives With Billboard,” Billboard Magazine
**Benson May Y’17, “The Stellameter,” artwork created for Professor Jessica Helfand’s spring 2014 freshman seminar on the color Blue
**Sylvia McNamara Y ’15, “Landscapes of Violence in One Big Self,” written for Dr. Dolores Hayden’s class: Poets’ Landscapes, Spring 2014
Michèle Mendelssohn, Donald C. Gallup Fellow: “Black Lilies: Race and the Cultural Politics of Decadence from Oscar Wilde to W.E.B. Du Bois”
A. David Moody, Ezra Pound: Poet, A Portrait of the Man & His Work, Volume II: The Epic Years, Oxford UP: 2014
Ella O’Keefe, “Notes From Another Clime: Archiving Surfing with Barbara Guest,” in Rabbit Poetry Journal, Issue 13 (http://rabbitpoetry.com/445-2/).
Seth Perlow, Editor, Tender Buttons by Gertrude Stein, The Corrected Centennial Edition, City Lights, 2014
Jae Rossman, “Origins of the Color Forecasting Industry,” Beinecke presentation about exhibition “Blue: Color and Concept”
**Nate Sievert Y’17, “Wind,” a film produced for Professor Jessica Helfand’s spring 2014 freshman seminar on the color Blue.
Maren Stange, “Richard Wright’s African Photographs,” in Geography of Photography: American Photography, Vol. 2. Ed. Bettina Gockel. Berlin: Akademie Verlag
**Caroline Sydney Y’16, “Desire to Capture, Desire to Expose: The Scrapbook of H.D.,” written for Professor Laura Wexler’s Photography and Memory seminar, fall 2014
Glenway Wescott, A Heaven of Words: Last Journals, 1956-1984, edited by Jerry Rosco, University of Wisconsin Press
Vivian Whelpton, Richard Aldington: Poet, Soldier, and Lover 1911-1929, Cambridge: Lutterworth Press
Edward White, The Tastemaker: Carl Van Vechten and the Birth of Modern America, NY: Farrar, Straus and Giroux